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Project Runway Canada’s ninth episode brings hometown visits, final collection previews and lots of stress

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Project Runway Canada’s ninth episode brings hometown visits, final collection previews and lots of stress. In the previous episode, we were left in suspense as to who would be the final designer to join Charles Lu and Curtis Matysek in the finale. The suspense ended when camp costumer Leeland Mitchell, winner of two previous challenges, was announced as the third finalist.

A Journey to the Finale

Upon his announcement as a finalist, Mitchell was warned by the judges to tone down his pop culture references. Mitchell, known for his speedy construction and flamboyant style, was then tasked with the final challenge. This involved designing a ten-look collection in seven weeks, with a budget of $10,000.

As the finalists worked, Aurora James visited them in their home studios. In Toronto’s garment district, Mitchell’s workspace was bustling with a mix of punk and personal tribute to his family’s dry-cleaning business. His collection, dubbed “Chinatown Punk,” is a blend of Scottish plaids and Chinese elements, with designs such as a bagpipe dress and a piece mimicking a Chinese dragon.

Homestudio Visits and Collection Previews

Next, we visited Matysek’s period-inspired Toronto home studio. Matysek’s collection incorporated elements of metalwork, a suit of armour, and a gown with football shoulder pads. Their collection is a celebration of their non-binary identity, with historical references such as a “historic BBL” – a bustle popular in the mid-to-late 19th century.

Lastly, we were taken to Hamilton, where Lu was working out of a studio in his parents’ basement. His collection is a tribute to his parents, who are Vietnamese refugees. Lu’s collection is a series of streetwear-meets-couture looks, including a piece inspired by an orchid, a nod to his recent trip to his parents’ hometown.

Final Touches and the Runway

In the following weeks, the designers were busy completing their collections. The workroom was moved from Toronto Metropolitan University to the now-closed Hudson’s Bay Queen Street flagship. The location change was perhaps symbolic of the challenges the designers would face in the fashion industry.

As the designers unveiled their collections, it was clear that each had potential to shape the future of Canadian fashion. There were adjustments made based on Aurora’s feedback – Matysek removed the white from their designs and Lu added wearable pink satin pieces. Mitchell, however, stuck to his guns, maintaining his over-the-top vision.

The Future of Canadian Fashion

While the competition has focused on the designers’ abilities, it also raises questions about the support for emerging talents in the country. The competition prize is a significant $100,000 and a spread in ELLE Canada, but the challenge remains for these designers to establish themselves in the industry.

Despite the stress and uncertainties, the ninth episode of Project Runway Canada proved to be a celebration of the designers’ unique visions and their potential to contribute to the fashion industry. As we anticipate the finale, we are reminded of the importance of supporting and nurturing emerging talents in the country.

author avatar
Ethan Radcliffe
Ethan Radcliffe is a senior reporter and digital editor at The Toronto Insider, specializing in Canadian federal policy, GTA urban development, and national economic trends. With over a decade of experience in North American journalism, Ethan focuses on translating complex legislative and economic developments into clear, accessible reporting for Canadian readers. Ethan’s work emphasizes policy analysis, government accountability, and data-driven reporting, with a strong focus on how federal and provincial decisions impact communities across the Greater Toronto Area and beyond. He has covered infrastructure planning, housing policy, fiscal strategy, and regulatory changes affecting Canadian households and businesses. A graduate of Toronto Metropolitan University’s School of Journalism, Ethan brings expertise in investigative reporting, long-form analysis, editorial standards, and digital publishing best practices. His reporting is guided by verifiable sources, public records, and transparent sourcing. In addition to reporting, Ethan has experience in newsroom editing, fact-checking workflows, SEO-informed journalism, and audience analytics, ensuring stories meet both editorial integrity standards and modern digital discoverability requirements. Ethan is committed to objective, fact-driven journalism and adheres to established ethical guidelines, prioritizing accuracy, clarity, and public trust in all reporting.

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